for the love of corndogs


TCU nursing major in the marching band. Nerdfighter. 'Nough said.
jumpingjacktrash:

camwyn:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 
Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[stifled giggling]
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 
Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

which is 8 fortes. We were shocked until,

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

Something you should know about that man: his most well-known composition is a little piece called “Entry of the Gladiators”. You know this piece. I know you do.
This is it.

that is the moustache of a man with nothing to lose

jumpingjacktrash:

camwyn:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 

Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.

On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.

The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”

And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:

[stifled giggling]

[reeeeeeally deep breath]

[COLOSSAL FOGHORN NOISE]

The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.

In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”

FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 

Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

image

which is 8 fortes. We were shocked until,

image

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

Something you should know about that man: his most well-known composition is a little piece called “Entry of the Gladiators”. You know this piece. I know you do.

This is it.

that is the moustache of a man with nothing to lose

Source: housecatincarnate

dopeybeauty:

aurora is the queen bitch

Source: dopeybeauty

shinykaito:

everyone stop what you are doing and watch this vine rIGHT NOW

Source: thehomosexuals

shes-a-naturaldisaster:

somenerdyguy:

draconicanimagus:

bookishandi:

padfootstolemycrumpet:

fuckyeahteddylupin:

Same mirror - same place - different orphan by *button-bird

*strangled cry*

NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO.
 
But also YES.
 
Because for me this is a pretty important part of the final battle. A lot of folks accused JKR of just wanting to kill people off, and Lupin and Tonks were one of the major “sins” in that category. But for me, one of the major themes of her books is vicious cycle of violence, and another is the ways ordinary people can break that cycle. It’s important that we know that Harry doesn’t stop all the pain, that he’s not the last war orphan. Just like the first War, parents and adults have to make choices, choices with consequences. 
 
Like James and Lily, Lupin and Tonks didn’t risk their lives to defeat Voldemort. They gave their lives for each other, because no one person should bear the weight of the sacrifice. They gave their lives for their son, who deserved a better world. They gave their lives for love, not for victory.
 
I think it’s important to see the ways Voldemort’s evil creates these cycles, children taken from their parents and parents taken from their children, again and again. I think it’s an important sobering note in the victory—yes, this time Voldemort is really dead, but there’s another baby this time, another infant who will never know his beautiful, wonderful parents because of Voldemort and his message of hate and violence. Another child who will grow up wondering where he came from, what his parents were like, what would be different if they were alive.
 
But it’s also beautiful that Teddy will have such a different experience. And his experience will not be different because Voldemort is “really gone.” His experience will be different because his grandmother will tell him about his brilliant mom. Because Harry will tell him about his wonderful dad. Because Harry will help him deal with his pain and loss, be a sympathetic ear who understands what it’s like to grow up without your parents. Because the Weasleys will welcome him as another grandchild, and he’ll grow up with Victoire to throw dirt at, and James as a little brother. His experience won’t be different because Harry won a war, it will be different because of love.
 
That’s the whole story of Harry Potter. Sometimes we have to fight for what’s right, but what really makes life worth living and what really changes the world isn’t magic or power or moral superiority. It’s love.

/crying

Better than the epilogue.


God Damn that hurts

shes-a-naturaldisaster:

somenerdyguy:

draconicanimagus:

bookishandi:

padfootstolemycrumpet:

fuckyeahteddylupin:

Same mirror - same place - different orphan by *button-bird

*strangled cry*

NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO.
 
But also YES.
 
Because for me this is a pretty important part of the final battle. A lot of folks accused JKR of just wanting to kill people off, and Lupin and Tonks were one of the major “sins” in that category. But for me, one of the major themes of her books is vicious cycle of violence, and another is the ways ordinary people can break that cycle. It’s important that we know that Harry doesn’t stop all the pain, that he’s not the last war orphan. Just like the first War, parents and adults have to make choices, choices with consequences.
 
Like James and Lily, Lupin and Tonks didn’t risk their lives to defeat Voldemort. They gave their lives for each other, because no one person should bear the weight of the sacrifice. They gave their lives for their son, who deserved a better world. They gave their lives for love, not for victory.
 
I think it’s important to see the ways Voldemort’s evil creates these cycles, children taken from their parents and parents taken from their children, again and again. I think it’s an important sobering note in the victory—yes, this time Voldemort is really dead, but there’s another baby this time, another infant who will never know his beautiful, wonderful parents because of Voldemort and his message of hate and violence. Another child who will grow up wondering where he came from, what his parents were like, what would be different if they were alive.
 
But it’s also beautiful that Teddy will have such a different experience. And his experience will not be different because Voldemort is “really gone.” His experience will be different because his grandmother will tell him about his brilliant mom. Because Harry will tell him about his wonderful dad. Because Harry will help him deal with his pain and loss, be a sympathetic ear who understands what it’s like to grow up without your parents. Because the Weasleys will welcome him as another grandchild, and he’ll grow up with Victoire to throw dirt at, and James as a little brother. His experience won’t be different because Harry won a war, it will be different because of love.
 
That’s the whole story of Harry Potter. Sometimes we have to fight for what’s right, but what really makes life worth living and what really changes the world isn’t magic or power or moral superiority. It’s love.

/crying

Better than the epilogue.

God Damn that hurts

Source: fuckyeahteddylupin

eradicatedelicacy:

reallifescomedyrelief:

viforcontrol:

beautifuloutlier:

gwydtheunusual:

too—weird-to-live:

zafojones:

Circus Tree: Six individual sycamore trees were shaped, bent, and braided to form this.

how the hell do you bend and braid a tree

Actually pretty easy. Trees don’t reject tissue from other trees in the same family. You bend the tree to another tree when it is a sapling, scrape off the bark on both trees where they touch, add some damp sphagnum moss around them to keep everything slightly moist and bind them together. Then wait a few years- The trees will have grown together. You can use a similar technique to graft a lemon branch or a lime branch or even both- onto an orange tree and have one tree that has all three fruits.Frankentrees.

As a biologist I can clearly state that plants are fucking weird and you should probably be slightly afraid of them.

On that note! At the university (UBC) located in town, the Agriculture students were told by their teacher that a tree flipped upside down would die. So they took an excavator and flipped the tree upside down. And it’s still growing. But the branches are now the roots, and the roots are now these super gnarly looking branches. Be afraid.

But Vi, how can you mention that and NOT post a picture? D:

[source]


Tree apocalypse.

eradicatedelicacy:

reallifescomedyrelief:

viforcontrol:

beautifuloutlier:

gwydtheunusual:

too—weird-to-live:

zafojones:

Circus Tree: Six individual sycamore trees were shaped, bent, and braided to form this.

how the hell do you bend and braid a tree

Actually pretty easy. Trees don’t reject tissue from other trees in the same family. You bend the tree to another tree when it is a sapling, scrape off the bark on both trees where they touch, add some damp sphagnum moss around them to keep everything slightly moist and bind them together. 
Then wait a few years- The trees will have grown together. 

You can use a similar technique to graft a lemon branch or a lime branch or even both- onto an orange tree and have one tree that has all three fruits.

Frankentrees.

As a biologist I can clearly state that plants are fucking weird and you should probably be slightly afraid of them.

On that note! At the university (UBC) located in town, the Agriculture students were told by their teacher that a tree flipped upside down would die. So they took an excavator and flipped the tree upside down. And it’s still growing. But the branches are now the roots, and the roots are now these super gnarly looking branches. Be afraid.

But Vi, how can you mention that and NOT post a picture? D:

image

[source]

Tree apocalypse.

Source: zafojones

bemusedlybespectacled:

MY COUNTRY ‘TIS OF THEE

LAND OF THAT SWEET BOOTY

OF THEE I SING

Source: bemusedlybespectacled

greatbewilderbeast:

eternityinalake:

welcome to the 12th inning of a college baseball game

go frogs

Source: eternityinalake

bedpartymakeover:

25 year old Chen Yen-hui recreates makeup looks from the Tang dynasty

People gotta signal boost the fuck out of this because you know it won’t get the attention it deserves till a white bitch copies it

Source: 70s-postmiserablisms

silvermender:

typette:

roachpatrol:

danythedragonqueen:

The official trailer for the New Zealand vampire comedy “What We Do in the Shadows, directed by Jemaine Clement & Taika Waititi, about three vampire flatmates coping with the modern world.

"Haha, ghost cup." 

I’M GOING TO WATCH THIS SO HARD. 

WE’RE WEREWOLVES NOT SWEARWOLVES

I LOST MY SHIT AT THE FLOATING HISS

Source: danythedragonqueen

tastefullyoffensive:

Mascot GIFs (Part 1) [x]

Previously: Goat GIFs, Dog Fails GIFs

Source: tastefullyoffensive

geekyamazon:

flawless

Source: hanseofficial

roachpatrol:

cvmfest:

ricotomate:

A bunch of drunk college kids tried to play “Alice in Wonderland”

I cry of laughter everytime I watch this. 

what the fuclk did i just watch

the best goddamn adaptation ever

Source: ricotomate

Source: thranduils-queen

antiocial:

you should be expecting that.

Source: antiocial

ALRIGHT GUYS, IT IS TIME. LET’S GET MAMRIE HART TO 500K THIS WEEKEND

itssimplysam23:

AS OF RIGHT NOW SHE HAS JUST UNDER 10K TO GO FROM HITTING HALF A MILLION SUBSCRIBERS. WE HELPED GET HANNAH 10K IN JUST A FEW HOURS SO WE CAN DO IT THIS WEEKEND. 

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WHY YOU SHOULD SUBSCRIBE:

SHE IS 

image

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AND 

image

SHE COMES UP WITH THE MOST DELICIOUS DRINKS,EVER

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SHE HAS WRITTEN AND STARRED IN A MOVIE, IS WRITING A BOOK, HAS BEEN ON TV SHOWS, AND COMMERCIALS.

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SHE ALSO OWNS THE MYSTICAL FUCKING CREATURE

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SO, SUBSCRIBE TO YDAD AND IF YOU ALREADY HAVE SPREAD THE WORD.

YOUTUBE.COM/YOUDESERVEADRINK

Source: itssimplysam23